living installation, found polystyrene, mealworms, mealworm pupae, darkling beetles, flowers, plastic sheeting, lumber, cast paper, hand-gathered microplastics and macroplastics, egg shells, egg tempera, fruit, led lights, and tinted window film
Growing out of a larger body of work exploring the capacity of nonhuman agents to remediate humanity’s ecological devastation, Feast focuses on the transformative and poetic power of the lowly mealworm as it consumes, metabolizes, and biodegrades styrofoam waste.
Part living art installation, part posthuman catacomb, part abject tableaux, and part durational interspecies performance, Feast and Famine is an effort to “stay with the trouble” and think beyond human-centric norms about what is precious, what is beautiful, and what is possible.
Bibliography (in progress)
Glissant, ´´Édouard. “For Opacity,” in Poetics of Relation. University of Michigan Press, 1997.
Kosofsky Sedgwick, Eve. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You,” in Touching Feeling: Affect, Pedagogy, Performativity. Durham, NC: Duke University Press, 2003.
Lorde, Audre. “Poetry is not a Luxury” in Sister Outsider. Crossing Press, 1984.
Morton, Timothy. All Art is Ecological. Penguin Books, 2021.
Rebentisch, Juliane. Camp Materialism. Gallerie Buchholz, 2020.
Smithson, Robert. “A Sedimentation of the Mind: Earth Projects.” Artforum, vol. 7. no. 1 (September 1968).
Tracy K. Smith. “My God, It’s Full of Stars” from Life on Mars. Graywolf Press, 2011.
Yang, Yu & Yang, Jun & Wu, Weimin & Zhao, Jiao & Song, Yiling & Gao, Longcheng & Yang, Ruifu & Jiang, Lei. (2015). Biodegradation and Mineralization of Polystyrene by Plastic-Eating Mealworms: Part 1. Chemical and Physical Characterization and Isotopic Tests. Environmental science & technology. 49. 10.1021/acs.est.5b02661.